EQ BASS FL STUDIO HOW TO

So learn how to do those (if you don't know already). NOTE: The Essential Guitars and Bass Guitars libraries require FL Studio 20.8 or later. Note slide or vibrato articulations simply triggered by high velocity note input. Now, load Parametric EQ 2 on your bass track. Be sure to click Mute at the bottom left corner and then unmute it again to be able to hear the kick playing. First, youвЂ™ll want to add Peak Controller to your kick drum. Presets include various pick up, cabinet and guitar pedal effect simulations at a low CPU impact. In FL Studio, this can be achieved with Fruity Peak Controller. But you can use any Parametric Equalizer you wish Try playing the bass track on solo. All adjustable through FLEX macro parameters. The example below shows the Parametric EQ in Logic Pro, this has a Spectrum Analyser which allows you to view which frequencies are playing. On a little sidenote: It looks like you haven't learned how to do a real high/low-pass on the Parametric EQ 2, and simply stick to shelfs. To make sure both your Kick and Bass sit well together, add a separate Parametric Equaliser to the bass and the kick. To make a hardhitting 808 + kick, don't forget to have a good transient on the kick and a good dynamic shape on the 808. Rather than trying to solve an issue with regular boosts/cuts, try sweeping a narrow filter with minimized bandwidth (i.e a notch), and sweep it thrugh the spectrum on the 2 layers and find nasty spots that makes the one layer collide with the other, and cut those. If a sound still sounds instable with the other layer, try gating it (mostly on the kick layer) - perhaps you have a tail that's disturbing. Don't forget to adjust the phase and/or polarity on one of the samples (the frequencies may match up better then). There once was a guy here with issues between the 808 and kick layer - and a pitch correction fixed it. Meaning if the 808 is very bass heavy on a certain tone, the kick could probably sound the best with the same pitch (most of the times, but I bet exceptions may occur). Before you do any EQ'ing and such, make sure that your different kick samples have good pitch relationships. Try cutting away the lowend rumble a little harsher with a steeper cutoff on the highpass, sometimes the rumble of the 2 samples can collide and start masking. Think of it as classic kick & bass mixing where you have for example - a slight boost at 100 Hz on the kick (=a slight cut at 100 Hz on the bass guitar), and then a slight cut at 50 Hz on the kick (meaning a slight 50 Hz boost on the bass guitar), rather than doing huge boostes on the kick and 808 to try separating them. If you need to do such dramatic EQ moves, then maybe you should instead consider doing only half of the boosts, and then do a cut on the other sample as well. Well sometimes it might be necessary, but by looking on it I'm thinking off an unbalanced bass-swell which may drown out your 808. It's a very heavy boost you have there on the kick-sample (and on the 808 as well).

Eq bass fl studio